Virgie Tovar

Jealousy is such an interesting thing to me. As immediate and intense as it feels when it hits, it has always struck me as a secondary — a smokescreen for something else.

Sharon is so intensely interesting to me in The Sinner. We get to see a fat woman who is over thirty exercise extraordinary sexual power.

I don’t want to move the line of the socially acceptable body by 50 or 100 or 150 pounds. I want to get rid of the line altogether because the line hurts everyone — even the people who are seen as the “winners.”

It’s important to recognize that tiny or unsupportive seats (no matter how beautiful) send a silent but powerful message about who has the right to sit down. This message has strong ripple effects for a community that is already facing quite a bit of discrimination.

Affection or attention that relies upon body conformity is not love — it’s exploitation. I’m here to tell you once and for all: your body is yours.

I've gone into Lane Bryant about 68 times in my life, and each time I'm lucky to leave with a faux-snakeskin belt or wide-shaft boots in an on-trend style. Most of the clothing, however, is draping, muted, and made up of superfluous yards of fabric covered in condescending ruffles and flowers. Imagine a fat baby going to a funeral for her former fat self and you've got Lane Bryant's general look.

Read Part 1 here.

I do conference calls from wherever I am at the moment. I answer work emails on the train, while I’m waiting in line for tacos, and (for better or worse) when there is a lull or awkward moment at a party.

It takes a lot of ongoing effort, labor, and love to fight for justice and to question the culture. People in the “choir” opt out of fitting in or playing nice. We dedicate a lot of time to being conscientious citizens.

I understand the connections between the violence that leads to police shootings and the violence that leads people to starve themselves. I know with complete certainty that diet culture is a manifestation of the state’s expectation of assimilation and of social control, both of which are manifestations of institutional violence.