Christine Stoddard

Christine Stoddard

Bio

Originally from Virginia, Christine Stoddard is a Salvadoran-Scottish-American writer and artist. She also is the founding editor of Quail Bell Magazine, a place for real and unreal stories from around the world. Her art and stories have appeared in Cosmopolitan, Bustle,The Huffington Post, Vivala, The Feminist Wire, the New York Transit Museum, Philly Fringe Fest, and beyond. She also is the author of Hispanic and Latino Heritage in Virginia (The History Press, 2016). In 2014, Folio Magazine named Christine one of the media industry's top visionaries in their 20s.

Christine Stoddard Articles

Social media notoriously gives its users the opportunity to present their lives as perfect and conflict-free. Image: Thinkstock.

My Friend's Instagram Post About Her Miscarriage Changed How I See Social Media

I scrolled through my Instagram feed to catch a photo of a friend’s first tattoo. It was an abstract design that paid homage to her wedding venue, a distinctive historic site in her home state. The tattoo seemed sweet at first, but then I read the photo caption. My friend had gotten inked to honor the child she lost in miscarriage.

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These days, I shave most of my body hair by choice. On the days (or weeks) that I don't, that decision is just as much my choice. Image: Thinkstock.

Why I Was Late To The Shaving Game

I tapped the razor on the side of the sink and inspected my smooth legs for any missed spots. Then I rinsed the blade, washed my hands, and put on my outfit: a long-sleeved black top, a knee-length denim skirt, tall black boots, and a silver dragon necklace for good measure.

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We can proud of our ancestors without claiming to be them. Image: Isaias Silva Pinto/Pixabay.

I Have Indigenous Blood — But I'm Not Indigenous

Indigenous people throughout the world already face so many challenges; they don’t need non-Indigenous people appropriating their cultures and championing family lore as fact. The genocide of Indigenous people is an ongoing travesty throughout the world

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By the end of the first haunted house rehearsal, I knew the job would truly test my abilities to carry my body and voice well.

 Working At A Haunted House Was Better Than Therapy 

Before I became a haunted house performer, I thought having my face touched was one of the creepiest things imaginable. But it wasn't the eerie set music or the beheaded baby dolls that changed my definition of scary. It was what went on in the green room.

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