Christine Stoddard

Christine Stoddard

Bio

Originally from Virginia, Christine Stoddard is a Salvadoran-Scottish-American writer and artist. She also is the founding editor of Quail Bell Magazine, a place for real and unreal stories from around the world. Her art and stories have appeared in Cosmopolitan, Bustle,The Huffington Post, Vivala, The Feminist Wire, the New York Transit Museum, Philly Fringe Fest, and beyond. She also is the author of Hispanic and Latino Heritage in Virginia (The History Press, 2016). In 2014, Folio Magazine named Christine one of the media industry's top visionaries in their 20s.

Christine Stoddard Articles

What we cannot afford to do is spread more hate, especially among our own people.

I Won’t Resent The Latinx Folks Who Voted For Trump

In the weeks since Election Day, I’ve come to realize that while I’m entitled to my feelings, resenting the Latinx folks who voted for Trump is not a productive use of my time.

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"Our wedding took place one May morning, outside of a historic house that overlooks the river running through our college town." Image: Pixabay, Veton Ethemi

I Am An Artist Who Married Young, And I Feel Like The Only One

In art school, conversations about the merits of polyamory thrived, but hearing anyone express a genuine desire to get married almost never happened. It was almost taboo. The implication was, how could you want something so traditional? So suburban and unimaginative?

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Emotionally, there were times I longed for a hint of my Salvadoran heritage in my name.

Why My Immigrant Parent Gave Me Such An “American” Name

Plenty of Americans have names that don't convey their full cultural background because, at this point, so many of us are mixed up. How could our names possibly communicate all that we are? But when the time comes for an interracial, interethnic, international couple to name their child, they're often faced with a political decision.

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image credit: Thinkstock

Love It? Hate It? Vocal Fry Is Everywhere

I cringe when Kim Kardashian opens her pouty lips because I know the onslaught of vocal fry

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