Christine Stoddard

Christine Stoddard

Bio

Originally from Virginia, Christine Stoddard is a Salvadoran-Scottish-American writer and artist. She also is the founding editor of Quail Bell Magazine, a place for real and unreal stories from around the world. Her art and stories have appeared in Cosmopolitan, Bustle,The Huffington Post, Vivala, The Feminist Wire, the New York Transit Museum, Philly Fringe Fest, and beyond. She also is the author of Hispanic and Latino Heritage in Virginia (The History Press, 2016). In 2014, Folio Magazine named Christine one of the media industry's top visionaries in their 20s.

Christine Stoddard Articles

"When I told my husband that his relative comfort on a city street is evidence of his male privilege, the look on his face implied that this was news to him." Image: Thinkstock

Explaining To A Man What It's Like To Be A Woman And Afraid

My now-husband was stunned the first time I told him what I do while walking alone. I mentioned behavior typical of so many city-dwelling women: carrying pepper spray, checking my back every block, trying to look confident while struggling to properly breathe. After a moment of silence, he teared up and said, “I don’t want you to have to worry.”

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Illustrations by Ajah Courts (http://cargocollective.com/ajahcourts/Quail-Bell)

China Street: Fiction From Quail Bell Magazine

The moon sauntered out from a curtain of clouds, whispering, “All things must end.”

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We can proud of our ancestors without claiming to be them. Image: Isaias Silva Pinto/Pixabay.

I Have Indigenous Blood — But I'm Not Indigenous

Indigenous people throughout the world already face so many challenges; they don’t need non-Indigenous people appropriating their cultures and championing family lore as fact. The genocide of Indigenous people is an ongoing travesty throughout the world

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You and your husband have a responsibility to integrate yourselves into the neighborhood. (Image: Thinkstock)

When You’re Married To The Only White Man In The Building

When you’re married to the only white man in your apartment building—and one of the very few in the neighborhood—you, as a woman, make a habit of observing him, especially if you’re a woman of color or a mixed race woman. “Will he use his social privilege for good or evil?” is the simple question, but evaluating him in those terms is not so simple.

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