Jess Lahitou

But the way I see it, concerning the issue of legalizing pot we have two questions: 1) Whether a person has the right to get high, and 2) Whether that right supersedes the rights of other potentially affected parties.

Millennials know the '90s were the best decade for music in our lifetime (arguably, best decade EVER). But it’s easy to forget just how many un-freakin-believably kick-butt-love tunes were packed into that 10 years. Let’s rehash the '90s for the autumn lover.

The blatant promise of a career in the spotlight has stripped the Bachelor/Bachelorette of its beautiful, benign lie: that we could watch “regular” people navigate the perils and pitfalls of modern dating, that such a quest was in and of itself enough, and that a happy ending was a real possibility.

On Oct.

McMullin winning Utah's six electoral votes could deny both Clinton and Trump from getting to the necessary 270 electoral votes required to become president. And that opens up a world of odd-ball scenarios for who the next president might be.

The workings of Congress are pretty fascinating. If you like The Borgias, The Tudors, Game of Thrones, House of Cards, then following the seemingly innocuous happenings in DC is a fascinating enterprise. You know that this is where the real action happens.

What’s the greatest achievement of the Rio Olympics? Is it the success of Latin America’s first host nation, Brazil? Is it the extraordinary feats of the US Women’s gymnastics team? Is it the spellbinding brilliance of Usain Bolt’s superhuman speed? Or is it perhaps the Twitter feed of Leslie Jones?

It’s safe to assume most work-at-home moms (WAHMs) had different plans when first they embarked upon career-hood. My plans involved working twelve-hour shifts in DC as a devoted political staffer.

I should begin by clarifying that I am no political reactionary.

The 2016 election has, for a while now, felt eerily akin to 1984 (lots ‘o doublespeak coming out of Trump and his supporters). Or The Hunger Games, to take a more recent example of dystopian genre fiction. Wherein, government becomes solely about politics and the media spectacle, rather than actual policies and ideas.