Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

From Etta To Brandy: 12 Undervalued Black Women Of Rock 

Genre boundaries are conscious of race—and, in the case of rock, conscious of gender too.

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The Handmaid's Tale Is Overrated—Here's What You Should Read Instead

While Atwood's feminist dystopia remains our favorite nightmarish future, Marge Piercy's Woman On The Edge Of Time is far superior.

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Even In Tragic Death, Charlie Hebdo Victims Benefit From Privilege 

Who is memorialized in death has everything to do with race, class . . . and who you were in life.

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The Female Man And Its Disdain For Femininity

Feminist dystopia at its finest. Joanna Russ imagines a world in which the elimination of gender hierarchy leads to freedom, strength, and power.

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Banishing the baddies. Courtesy of Facebook

On Daredevil, Heroism, And Our Need For Injustice

Daredevil focuses on the dynamics of heroism—the display of strength and violence as a way to distance oneself from weakness.

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On Privilege And Online Bullying

The Lord of the Flies can feel like a vacation spot for conflict-management consultants in comparison to social media.

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Hazel Scott

11 Forgotten Torch Singers You Should Know

Billie Holiday, Ella Fitzgerald, Edith Piaf: they're all still practically household names.

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Credit: Wikimedia Commons

Michelle Rodriguez Is Right (And Wrong) About Race And Superheroes

Rodriguez is confused when she says that people want her to steal white people's superheroes. But she also has a point.

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Credit: Wikimedia Commons

The Lion, The Witch, And The Wardrobe—And Feminism?

C.S. Lewis' classic book presents an unlikely challenge to the patriarchy in the form of its true hero, Lucy.

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A behind-the-scenes shot of rehearsal. Courtesy of Beyonce's Facebook

The Problem With Beyonce's "Precious Lord" Cover At The Grammys

So, if there are so many ways to sing this song, and if it's meant different things at different points, why complain about Beyoncé's version?

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