Noah Berlatsky

With the death of Leonard Nimoy, it's a good moment to pay tribute to (and question) his most famous character.

It's worth questioning some of our assumptions about adolescent inferiority.

Billie Holiday, Ella Fitzgerald, Edith Piaf: they're all still practically household names.

Rodriguez is confused when she says that people want her to steal white people's superheroes. But she also has a point.

The surface text of the film is that you can't trust some guys. The (barely) subtext is that you can't trust any guys.

The MIT professor recently wrote that feminist literature left him "terrified" of his sexual desire. But is Dworkin to blame?

According to an Academy Awards voter, the right sort of people, with the right sort of education and connections, can't be racist.

While Atwood's feminist dystopia remains our favorite nightmarish future, Marge Piercy's Woman On The Edge Of Time is far superior.

Genre boundaries are conscious of race—and, in the case of rock, conscious of gender too.

David Ress' Aphexswift is genius precisely because it's so unlikely.