Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

GQ Covers Reveal How Women And Men Are Sexually Objectified—But In Very Different Ways

A new Facebook post calls into question cover depictions of hyper-sexualized men and women.

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What On Earth To Make Of Azealia Banks' Whiteface Music Video

Banks' "Ice Princess" video shows that it's not only white people who can pick up someone else's culture.

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Idris Elba As A Post-Racial James Bond? Not So Fast

Let's not ignore the fact that the original James Bonds wasn't just white. He was a white supremacist.

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Credit: ThinkStock

There's No Glamor In Writing: I'm Not A Blogger—I'm A Slogger

Writing can be hard and uncomfortable and precarious—but it's hard and uncomfortable and precarious in the way that any job can be.

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Émilie Du Châtelet (Credit: Wikimedia Commons)

Where Are All The Female Philosophers?

Is the gender of the philosopher a marginal curiosity—or is it more central?

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On Privilege And Online Bullying

The Lord of the Flies can feel like a vacation spot for conflict-management consultants in comparison to social media.

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The Many Many Problems With The New Sex Work Show 8 Minutes

Under the guise of philanthropy, 8 Minutes essentially blackmails some of the most marginalized and powerless people in society.

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How To Make The Queer And Feminism Movements More Inclusive: Activist Julia Serano Speaks Out

"I believe that, in order to address these problems, we need to first understand how we got here."

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Taylor Swift, Aphex Twin Mashup Brilliantly Challenges Gender Stereotypes

David Ress' Aphexswift is genius precisely because it's so unlikely.

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The brilliantly named Dickless (Credit: Wikimedia Commons)

Women In Metal: 9 Tracks From The Genderless Utopia Of Death

Metal aggression isn't sexual, but existential. As a result, women in the genre are both rare and unexpectedly equal.

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