Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

The illustrious and utterly rockin' Carlene Carter. Flickr.com

Move It On Over: 12 Women Who Made Rockabilly History

There's a good argument to be made that the earliest, and the best, rockabilly performers were women. Slicked-back, hiccuping, hopped up cool.

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Thinkstock

Why Progressives Need Conservatism To Save The Church

Conservative fetishization of the past is myopic, simplistic, and mean-spirited—but progressives can be too quick to cede tradition.

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Credit: Wikimedia Commons

The Real Problem With Starbucks' Race Together Program? Classism 

Talking about race can get you into a lot of trouble . . . especially if you don't have a lot of class power or status.

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Taylor Swift, Aphex Twin Mashup Brilliantly Challenges Gender Stereotypes

David Ress' Aphexswift is genius precisely because it's so unlikely.

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The Subversive Gender Message In Mariah Carey's Latest Music Video

Sex and bodies don't clarify gender; they confuse the issue.

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This Is What Happens When Your Family Decides To Get A Dog

If my wife and son had thought bubbles above their heads, like in the comics, you would be able to read them saying, "dog dog dog dog dog dog dog."

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Ex Machina Promotional

The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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Idris Elba As A Post-Racial James Bond? Not So Fast

Let's not ignore the fact that the original James Bonds wasn't just white. He was a white supremacist.

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Pretty Woman At 25: Still A Crass, Degrading Power Fantasy

The rom-com's worshipping of power and wealth comes with a gender twist.

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Image: Flickr

The Hunger Games: Mockingjay, Part 2, Continues To Deliver Violence 

Katniss is the voice of conscience and morality in the film, and in The Hunger Games series as a whole. In the just released last film in the series, she tries repeatedly to avoid unnecessary deaths. She insists that refugees from an attacked base be given an escape route, for example, and exposes herself in an effort to help them.

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