Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

Yowie, "Yaoi"! Male Fetishization In American Comics And Manga

To read Massive isn't to discover a hidden truth, but to see a massive, obvious fact, bulging out for all the world to see.

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I've Told My Son Santa Claus Is Fake—And He Doesn't Believe Me

As a parent, you tend to assume that you have some say in forming your child's mental landscape. Then Santa comes along.

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For Anti-Sex Work Writers, Sex Sells 

Hating sex workers—and treating them as things—can get you money.

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Scandal Over Sexually Violent Batgirl Cover Reveals Changing Comics Landscape

Fans of Batgirl are fans of Batgirl. They buy her comic to see her being heroic, not to see her being a slasher movie victim.

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The Real Problem With Starbucks' Race Together Program? Classism 

Talking about race can get you into a lot of trouble . . . especially if you don't have a lot of class power or status.

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Billie Holiday (Credit: Wikimedia Commons)

Blues Music's Hidden Queer History

The history of pop music, and of black pop music in particular, has always been gay history.

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Lena Dunham's Jewish Boyfriend Quiz And The Truth About Anti-Semitism

In the U.S., anti-Semitism is universally condemned. This means that, effectively, anti-Semitism doesn't exist.

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The Handmaid's Tale Is Overrated—Here's What You Should Read Instead

While Atwood's feminist dystopia remains our favorite nightmarish future, Marge Piercy's Woman On The Edge Of Time is far superior.

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Dawn Richard (Credit: Wikimedia Commons)

The Rise Of The "Alternative Black Woman R&B Left-Field Genius"

The acclaimed solo album of former Danity Kane member Dawn Richard raises questions about the very nature of "cred." Is pop antitethical to artistry?

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The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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