Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

Why The Cover For Marvel's New All-Female Avengers Comic Is A Huge Disappointment

The cover for A-Force is a combination of tired trope and deodorant ad. Female empowerment can do so much better.

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Credit: Wikimedia Commons

The Real Problem With Starbucks' Race Together Program? Classism 

Talking about race can get you into a lot of trouble . . . especially if you don't have a lot of class power or status.

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A behind-the-scenes shot of rehearsal. Courtesy of Beyonce's Facebook

The Problem With Beyonce's "Precious Lord" Cover At The Grammys

So, if there are so many ways to sing this song, and if it's meant different things at different points, why complain about Beyoncé's version?

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Pretty Woman At 25: Still A Crass, Degrading Power Fantasy

The rom-com's worshipping of power and wealth comes with a gender twist.

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Yowie, "Yaoi"! Male Fetishization In American Comics And Manga

To read Massive isn't to discover a hidden truth, but to see a massive, obvious fact, bulging out for all the world to see.

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Enslaved or empowered?

Arrests Made At Rentboy.com: Should Male Prostitution Be Illegal?

Why should prostitution be illegal? And, more specifically why should male prostitution be illegal?

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Hazel Scott

11 Forgotten Torch Singers You Should Know

Billie Holiday, Ella Fitzgerald, Edith Piaf: they're all still practically household names.

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Idris Elba As A Post-Racial James Bond? Not So Fast

Let's not ignore the fact that the original James Bonds wasn't just white. He was a white supremacist.

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Ex Machina Promotional

The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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Does Making A List Of The Greatest Female Comics Creators Denigrate Women?

Is it insulting to ask about the greatest female comics creator?

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