Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

A Christmas Gone Perfectly Wrong And The Joy Of A Good Guy Protagonist

For once, central character Andrew's flaws are tied up in the fact that he is—wait for it—fundamentally decent.

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The Problem With Happily Ever After In Romance Fiction 

Some love stories don't end happily. So why do so many romance novels insist they do?

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The Real Reason Superheroes Should Come In All Sizes

Bulimia.com has reworked superhero images to show more realistic body types—and their efforts are valuable in more than the expected ways.

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The Lion, The Witch, And The Wardrobe—And Feminism?

C.S. Lewis' classic book presents an unlikely challenge to the patriarchy in the form of its true hero, Lucy.

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The Female Man And Its Disdain For Femininity

Feminist dystopia at its finest. Joanna Russ imagines a world in which the elimination of gender hierarchy leads to freedom, strength, and power.

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Scott Aaronson And The Tired Notion That It's Feminism Hurting Men

The MIT professor recently wrote that feminist literature left him "terrified" of his sexual desire. But is Dworkin to blame?

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The Strange Intersection Of Anti-Semitism And Anti-Blackness Racism

If you want America to relearn how to hate white Jews, the quickest way to do that is to associate them with black people.

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Why Sexist Eggheads Can't Take Jane Austen Seriously

Can a popular author also be celebrated for literary quality? Not if that author is a woman like Austen.

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The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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The Many Many Problems With The New Sex Work Show 8 Minutes

Under the guise of philanthropy, 8 Minutes essentially blackmails some of the most marginalized and powerless people in society.

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