Noah Berlatsky

For once, central character Andrew's flaws are tied up in the fact that he is—wait for it—fundamentally decent.

Hating sex workers—and treating them as things—can get you money.

Last year there was much excitement at the announcement that Lupita Nyong'o was going to play a major role in Star Wars: The Force Awakens — the first Black woman to star in the franchise.

Country music is an overwhelmingly heterosexual endeavor. The LGBTQ community certainly listen to, and perform, country, but in terms of lyrical content and themes, country has been focused on male-female romantic love.

I am on my knees in 15-degree weather scrubbing poop from the sidewalk, and I have an epiphany of sorts—I do not want this dog.

Can a popular author also be celebrated for literary quality? Not if that author is a woman like Austen.

The surface text of the film is that you can't trust some guys. The (barely) subtext is that you can't trust any guys.

It's hard to deny the appeal of the masculine ideal, especially when embodied in Jude Law. And yet, it's also a depressing vision.

Maddie & Tae's new hit both indicates and subverts country's long history of sexism.

While Atwood's feminist dystopia remains our favorite nightmarish future, Marge Piercy's Woman On The Edge Of Time is far superior.