Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

Credit: Thinkstock

Batman, Superguys, And The Man In Bam!

Did the classic Adam West Batman show strike a blow (Kerwhap!) for feminism?

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Image: <a href="https://www.flickr.com/photos/nrbelex/2232632457">Flickr<a />

Why Hillary Clinton Is Not A Dynastic Candidate 

With the prospect of another Bush/Clinton presidential contest looming as ominously as Donald Trump's hairpiece, the word "dynasty" seems to be frothing off of many a pundit's keyboard. "Clinton, Bush struggle to shed dynasty labels," a Washington Post headline declared.

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Andre Cymnone

Why Is Everyone So Scared Of Rock Music's Mixed-Race Roots?

The founder of the brilliant fyeahblackrockmusic Tumblr talks racial politics, Kelis, and . . . the Doobie Brothers?

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Kacey Musgraves. Image: Wikipedia

The Evolution Of Same-Sex Love In Country Music

Country music is an overwhelmingly heterosexual endeavor. The LGBTQ community certainly listen to, and perform, country, but in terms of lyrical content and themes, country has been focused on male-female romantic love.

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Image: Flickr

The Hunger Games: Mockingjay, Part 2, Continues To Deliver Violence 

Katniss is the voice of conscience and morality in the film, and in The Hunger Games series as a whole. In the just released last film in the series, she tries repeatedly to avoid unnecessary deaths. She insists that refugees from an attacked base be given an escape route, for example, and exposes herself in an effort to help them.

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Ex Machina Promotional

The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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Émilie Du Châtelet (Credit: Wikimedia Commons)

Where Are All The Female Philosophers?

Is the gender of the philosopher a marginal curiosity—or is it more central?

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It's Time To Change How We Look At The Teen Brain

It's worth questioning some of our assumptions about adolescent inferiority.

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What On Earth To Make Of Azealia Banks' Whiteface Music Video

Banks' "Ice Princess" video shows that it's not only white people who can pick up someone else's culture.

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All photos courtesy of Jillian Tamaki and Mariko Tamaki via Paste Magazine

Violence, Sex, And Coming Of Age: Why Everyone Is Talking About This One Summer  

The first graphic novel to win a Caldeott gives children the chance to be adults, and adults the chance to be kids.

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