Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

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The Virtues Of A Lazy Marriage

Lower your standards, live in moderate amounts of filth, and go to bed early. The cat will thank you.

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The Strange Intersection Of Anti-Semitism And Anti-Blackness Racism

If you want America to relearn how to hate white Jews, the quickest way to do that is to associate them with black people.

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Credit: Wikimedia Commons

Michelle Rodriguez Is Right (And Wrong) About Race And Superheroes

Rodriguez is confused when she says that people want her to steal white people's superheroes. But she also has a point.

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Newsflash: The Original Ghostbusters Was Totally Sexist

A Ghostbusters with a female cast is a thorough violation of the spirit of the original. And that's a good thing.

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Scene from To Kill A Mockingbird Credit: Wikimedia Commons

Oscars Voter Raises Question: What Does A Racist Look Like?

According to an Academy Awards voter, the right sort of people, with the right sort of education and connections, can't be racist.

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Credit: Flickr/U.S. Embassy New Delhi

All Hail The Great Women Of Gospel

The loss of gospel history has meant forgetting how important black women have been to American performance styles.

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Dawn Richard (Credit: Wikimedia Commons)

The Rise Of The "Alternative Black Woman R&B Left-Field Genius"

The acclaimed solo album of former Danity Kane member Dawn Richard raises questions about the very nature of "cred." Is pop antitethical to artistry?

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Credit: ThinkStock

There's No Glamor In Writing: I'm Not A Blogger—I'm A Slogger

Writing can be hard and uncomfortable and precarious—but it's hard and uncomfortable and precarious in the way that any job can be.

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A behind-the-scenes shot of rehearsal. Courtesy of Beyonce's Facebook

The Problem With Beyonce's "Precious Lord" Cover At The Grammys

So, if there are so many ways to sing this song, and if it's meant different things at different points, why complain about Beyoncé's version?

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From Etta To Brandy: 12 Undervalued Black Women Of Rock 

Genre boundaries are conscious of race—and, in the case of rock, conscious of gender too.

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