Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

Idris Elba As A Post-Racial James Bond? Not So Fast

Let's not ignore the fact that the original James Bonds wasn't just white. He was a white supremacist.

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Émilie Du Châtelet (Credit: Wikimedia Commons)

Where Are All The Female Philosophers?

Is the gender of the philosopher a marginal curiosity—or is it more central?

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Newsflash: The Original Ghostbusters Was Totally Sexist

A Ghostbusters with a female cast is a thorough violation of the spirit of the original. And that's a good thing.

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GQ Covers Reveal How Women And Men Are Sexually Objectified—But In Very Different Ways

A new Facebook post calls into question cover depictions of hyper-sexualized men and women.

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Domestic Violence: Not Just A Female Issue

This doesn't mean that the outcomes of domestic violence are always equal; men tend to be bigger and stronger than women, and therefore are more likely to cause serious harm, even in situations where violence is reciprocal. Still, the fact that women are frequently perpetrators of violence in domestic situations substantially undermines the typical story of domestic abuse—and helps to show just how harmful that story is.

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Credit: Flickr/U.S. Embassy New Delhi

All Hail The Great Women Of Gospel

The loss of gospel history has meant forgetting how important black women have been to American performance styles.

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Credit: Thinkstock

It's Time To Change How We Look At The Teen Brain

It's worth questioning some of our assumptions about adolescent inferiority.

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My Dog's Anus Is Tormenting Me And Maybe Ruining My Marriage

I am on my knees in 15-degree weather scrubbing poop from the sidewalk, and I have an epiphany of sorts—I do not want this dog.

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Ex Machina Promotional

The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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