Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

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The Strange Intersection Of Anti-Semitism And Anti-Blackness Racism

If you want America to relearn how to hate white Jews, the quickest way to do that is to associate them with black people.

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Credit: Thinkstock

I've Told My Son Santa Claus Is Fake—And He Doesn't Believe Me

As a parent, you tend to assume that you have some say in forming your child's mental landscape. Then Santa comes along.

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Newsflash: The Original Ghostbusters Was Totally Sexist

A Ghostbusters with a female cast is a thorough violation of the spirit of the original. And that's a good thing.

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Émilie Du Châtelet (Credit: Wikimedia Commons)

Where Are All The Female Philosophers?

Is the gender of the philosopher a marginal curiosity—or is it more central?

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"Girl In A Country Song" Continues Long Tradition Of Twangy Feminist Critique 

Maddie & Tae's new hit both indicates and subverts country's long history of sexism.

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Billie Holiday (Credit: Wikimedia Commons)

Blues Music's Hidden Queer History

The history of pop music, and of black pop music in particular, has always been gay history.

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Credit: Wikimedia Commons

The Lion, The Witch, And The Wardrobe—And Feminism?

C.S. Lewis' classic book presents an unlikely challenge to the patriarchy in the form of its true hero, Lucy.

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Is Childbearing Actually Oppressive?

"Childbearing [is] barbaric and pregnancy should be abolished," wrote radical feminist theorist Shulamith Firestone in The Dialectic of Sex.

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The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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On Privilege And Online Bullying

The Lord of the Flies can feel like a vacation spot for conflict-management consultants in comparison to social media.

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