Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

From Etta To Brandy: 12 Undervalued Black Women Of Rock 

Genre boundaries are conscious of race—and, in the case of rock, conscious of gender too.

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The Lion, The Witch, And The Wardrobe—And Feminism?

C.S. Lewis' classic book presents an unlikely challenge to the patriarchy in the form of its true hero, Lucy.

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Michelle Rodriguez Is Right (And Wrong) About Race And Superheroes

Rodriguez is confused when she says that people want her to steal white people's superheroes. But she also has a point.

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The Latest Proof That Men's Rights Activists Don't Actually Care About Men's Rights

A recent controversy at the Calgary Expo suggests MRAs care more about making opponents look bad than they do about discrimination.

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The Real Problem With Starbucks' Race Together Program? Classism 

Talking about race can get you into a lot of trouble . . . especially if you don't have a lot of class power or status.

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Taylor Swift, Aphex Twin Mashup Brilliantly Challenges Gender Stereotypes

David Ress' Aphexswift is genius precisely because it's so unlikely.

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Comic Heroine Ms. Marvel Fights Islamophobia On Streets Of San Francisco

Bus ads comparing Muslims to Hitler have been replaced with images of a superhero. And not just any superhero.

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I've Told My Son Santa Claus Is Fake—And He Doesn't Believe Me

As a parent, you tend to assume that you have some say in forming your child's mental landscape. Then Santa comes along.

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The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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Image: LargeFears.com

Large Fears: The Importance Of Marginalized Children Being Represented In Literature

Iin a passionate Facebook thread last week, children's author Meg Rosoff rejected the idea that there are "too few books for marginalized young people," as librarian Edith Edi Campbell had suggested.

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