Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

A Christmas Gone Perfectly Wrong And The Joy Of A Good Guy Protagonist

For once, central character Andrew's flaws are tied up in the fact that he is—wait for it—fundamentally decent.

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For Anti-Sex Work Writers, Sex Sells 

Hating sex workers—and treating them as things—can get you money.

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Aliens, Tentacle Sex, And Racism: Surprising Lessons From Sci-Fi 

Scientists are hotly debating whether we should send messages into space. Perhaps they should consult Octavia Butler for some wisdom...

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Scene from To Kill A Mockingbird Credit: Wikimedia Commons

Oscars Voter Raises Question: What Does A Racist Look Like?

According to an Academy Awards voter, the right sort of people, with the right sort of education and connections, can't be racist.

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The Many Many Problems With The New Sex Work Show 8 Minutes

Under the guise of philanthropy, 8 Minutes essentially blackmails some of the most marginalized and powerless people in society.

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Heavy Metal Tries To Join Forces With #GamerGate . . . And Fails 

For a second, it looked like the rabid hordes of gamergaters would be joined by metalheads. But #metalgate was never meant to be.

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What Happens When Men Cover Female-Penned Songs?

These covers remind us of the lengthy, rich—but often obscured—history of female songwriters.

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Banishing the baddies. Courtesy of Facebook

On Daredevil, Heroism, And Our Need For Injustice

Daredevil focuses on the dynamics of heroism—the display of strength and violence as a way to distance oneself from weakness.

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Ex Machina Promotional

The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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Scott Aaronson And The Tired Notion That It's Feminism Hurting Men

The MIT professor recently wrote that feminist literature left him "terrified" of his sexual desire. But is Dworkin to blame?

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