Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

The Real Reason Superheroes Should Come In All Sizes

Bulimia.com has reworked superhero images to show more realistic body types—and their efforts are valuable in more than the expected ways.

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Credit: Thinkstock

Heavy Metal Tries To Join Forces With #GamerGate . . . And Fails 

For a second, it looked like the rabid hordes of gamergaters would be joined by metalheads. But #metalgate was never meant to be.

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Image: LargeFears.com

Large Fears: The Importance Of Marginalized Children Being Represented In Literature

Iin a passionate Facebook thread last week, children's author Meg Rosoff rejected the idea that there are "too few books for marginalized young people," as librarian Edith Edi Campbell had suggested.

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The Truth About Twitter's Call-Out Culture

Critics say call-out culture is mean-spirited and bullying. Not so fast.

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Why Progressives Need Conservatism To Save The Church

Conservative fetishization of the past is myopic, simplistic, and mean-spirited—but progressives can be too quick to cede tradition.

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A behind-the-scenes shot of rehearsal. Courtesy of Beyonce's Facebook

The Problem With Beyonce's "Precious Lord" Cover At The Grammys

So, if there are so many ways to sing this song, and if it's meant different things at different points, why complain about Beyoncé's version?

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Scene from To Kill A Mockingbird Credit: Wikimedia Commons

Oscars Voter Raises Question: What Does A Racist Look Like?

According to an Academy Awards voter, the right sort of people, with the right sort of education and connections, can't be racist.

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Should We Really Do Away With Gender?

It's not the gender that's the problem: It's the oppression.

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From Etta To Brandy: 12 Undervalued Black Women Of Rock 

Genre boundaries are conscious of race—and, in the case of rock, conscious of gender too.

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