Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

The Truth About Twitter's Call-Out Culture

Critics say call-out culture is mean-spirited and bullying. Not so fast.

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Émilie Du Châtelet (Credit: Wikimedia Commons)

Where Are All The Female Philosophers?

Is the gender of the philosopher a marginal curiosity—or is it more central?

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Credit: Wikimedia Commons

Michelle Rodriguez Is Right (And Wrong) About Race And Superheroes

Rodriguez is confused when she says that people want her to steal white people's superheroes. But she also has a point.

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Credit: Wikimedia Commons

The Lion, The Witch, And The Wardrobe—And Feminism?

C.S. Lewis' classic book presents an unlikely challenge to the patriarchy in the form of its true hero, Lucy.

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My Dog's Anus Is Tormenting Me And Maybe Ruining My Marriage

I am on my knees in 15-degree weather scrubbing poop from the sidewalk, and I have an epiphany of sorts—I do not want this dog.

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GQ Covers Reveal How Women And Men Are Sexually Objectified—But In Very Different Ways

A new Facebook post calls into question cover depictions of hyper-sexualized men and women.

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How Wonder Woman's Male Creator Helped Shape Third-Wave Feminism 

To understand this debate, it's important to consider historical context.

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Outlander, Romance Fiction—And Why We Fantasize About Infidelity

Illicit passions aren't less enjoyable because they're illicit. Quite the contrary.

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Image: Wikimedia

Star Wars: The Force Awakens Disappoints: Lupita Nyong’o's Character Is Computer-Generated

Last year there was much excitement at the announcement that Lupita Nyong'o was going to play a major role in Star Wars: The Force Awakens — the first Black woman to star in the franchise.

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The brilliantly named Dickless (Credit: Wikimedia Commons)

Women In Metal: 9 Tracks From The Genderless Utopia Of Death

Metal aggression isn't sexual, but existential. As a result, women in the genre are both rare and unexpectedly equal.

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