Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

What On Earth To Make Of Azealia Banks' Whiteface Music Video

Banks' "Ice Princess" video shows that it's not only white people who can pick up someone else's culture.

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deviantart.com

Newsflash: The Original Ghostbusters Was Totally Sexist

A Ghostbusters with a female cast is a thorough violation of the spirit of the original. And that's a good thing.

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How Wonder Woman's Male Creator Helped Shape Third-Wave Feminism 

To understand this debate, it's important to consider historical context.

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Yowie, "Yaoi"! Male Fetishization In American Comics And Manga

To read Massive isn't to discover a hidden truth, but to see a massive, obvious fact, bulging out for all the world to see.

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The illustrious and utterly rockin' Carlene Carter. Flickr.com

Move It On Over: 12 Women Who Made Rockabilly History

There's a good argument to be made that the earliest, and the best, rockabilly performers were women. Slicked-back, hiccuping, hopped up cool.

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Kacey Musgraves. Image: Wikipedia

The Evolution Of Same-Sex Love In Country Music

Country music is an overwhelmingly heterosexual endeavor. The LGBTQ community certainly listen to, and perform, country, but in terms of lyrical content and themes, country has been focused on male-female romantic love.

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Flickr.com

The Virtues Of A Lazy Marriage

Lower your standards, live in moderate amounts of filth, and go to bed early. The cat will thank you.

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Credit: The Mary Sue

Comic Heroine Ms. Marvel Fights Islamophobia On Streets Of San Francisco

Bus ads comparing Muslims to Hitler have been replaced with images of a superhero. And not just any superhero.

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Michael Ealy. Image: Wikimedia Commons

Misogyny, Violence and Stalking: A Review Of The Perfect Guy

The surface text of the film is that you can't trust some guys. The (barely) subtext is that you can't trust any guys.

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A behind-the-scenes shot of rehearsal. Courtesy of Beyonce's Facebook

The Problem With Beyonce's "Precious Lord" Cover At The Grammys

So, if there are so many ways to sing this song, and if it's meant different things at different points, why complain about Beyoncé's version?

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