Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

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What A Bad Jason Isbell Concert Taught Me About Marriage

Irritation is the way of all flesh. The question is, if you're going to be annoyed for all of eternity, who do you want to be doing the annoying?

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Why The Cover For Marvel's New All-Female Avengers Comic Is A Huge Disappointment

The cover for A-Force is a combination of tired trope and deodorant ad. Female empowerment can do so much better.

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Big Bad Choice Words: Salon Calls Nicki Minaj's Rant "Savage" 

"The look on Miley's face during Nicki Minaj's savage, expletive-laden rant says it all," Salon tweeted the day after the VMAs. Less than 140 characters, but still enough to link a black woman to a longstanding racial slur.

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The Subversive Gender Message In Mariah Carey's Latest Music Video

Sex and bodies don't clarify gender; they confuse the issue.

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The Real Reason Superheroes Should Come In All Sizes

Bulimia.com has reworked superhero images to show more realistic body types—and their efforts are valuable in more than the expected ways.

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The Latest Proof That Men's Rights Activists Don't Actually Care About Men's Rights

A recent controversy at the Calgary Expo suggests MRAs care more about making opponents look bad than they do about discrimination.

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For Anti-Sex Work Writers, Sex Sells 

Hating sex workers—and treating them as things—can get you money.

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Batman, Superguys, And The Man In Bam!

Did the classic Adam West Batman show strike a blow (Kerwhap!) for feminism?

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Scott Aaronson And The Tired Notion That It's Feminism Hurting Men

The MIT professor recently wrote that feminist literature left him "terrified" of his sexual desire. But is Dworkin to blame?

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What On Earth To Make Of Azealia Banks' Whiteface Music Video

Banks' "Ice Princess" video shows that it's not only white people who can pick up someone else's culture.

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