Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

Outlander, Romance Fiction—And Why We Fantasize About Infidelity

Illicit passions aren't less enjoyable because they're illicit. Quite the contrary.

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Michael Ealy. Image: Wikimedia Commons

Misogyny, Violence and Stalking: A Review Of The Perfect Guy

The surface text of the film is that you can't trust some guys. The (barely) subtext is that you can't trust any guys.

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All photos courtesy of Jillian Tamaki and Mariko Tamaki via Paste Magazine

Violence, Sex, And Coming Of Age: Why Everyone Is Talking About This One Summer  

The first graphic novel to win a Caldeott gives children the chance to be adults, and adults the chance to be kids.

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The Female Man And Its Disdain For Femininity

Feminist dystopia at its finest. Joanna Russ imagines a world in which the elimination of gender hierarchy leads to freedom, strength, and power.

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Scandal Over Sexually Violent Batgirl Cover Reveals Changing Comics Landscape

Fans of Batgirl are fans of Batgirl. They buy her comic to see her being heroic, not to see her being a slasher movie victim.

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Kacey Musgraves. Image: Wikipedia

The Evolution Of Same-Sex Love In Country Music

Country music is an overwhelmingly heterosexual endeavor. The LGBTQ community certainly listen to, and perform, country, but in terms of lyrical content and themes, country has been focused on male-female romantic love.

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The brilliantly named Dickless (Credit: Wikimedia Commons)

Women In Metal: 9 Tracks From The Genderless Utopia Of Death

Metal aggression isn't sexual, but existential. As a result, women in the genre are both rare and unexpectedly equal.

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Credit: Wikimedia Commons

The Lion, The Witch, And The Wardrobe—And Feminism?

C.S. Lewis' classic book presents an unlikely challenge to the patriarchy in the form of its true hero, Lucy.

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Ex Machina Promotional

The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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The illustrious and utterly rockin' Carlene Carter. Flickr.com

Move It On Over: 12 Women Who Made Rockabilly History

There's a good argument to be made that the earliest, and the best, rockabilly performers were women. Slicked-back, hiccuping, hopped up cool.

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