Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

What On Earth To Make Of Azealia Banks' Whiteface Music Video

Banks' "Ice Princess" video shows that it's not only white people who can pick up someone else's culture.

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Credit: Thinkstock

The Problem With Happily Ever After In Romance Fiction 

Some love stories don't end happily. So why do so many romance novels insist they do?

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Credit: The Mary Sue

Comic Heroine Ms. Marvel Fights Islamophobia On Streets Of San Francisco

Bus ads comparing Muslims to Hitler have been replaced with images of a superhero. And not just any superhero.

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The Female Man And Its Disdain For Femininity

Feminist dystopia at its finest. Joanna Russ imagines a world in which the elimination of gender hierarchy leads to freedom, strength, and power.

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Kathleen Gilles Seidel: Romance Novelist

english lit academic. wish fulfiller. thwarted world-changer.

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How To Make The Queer And Feminism Movements More Inclusive: Activist Julia Serano Speaks Out

"I believe that, in order to address these problems, we need to first understand how we got here."

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Why Progressives Need Conservatism To Save The Church

Conservative fetishization of the past is myopic, simplistic, and mean-spirited—but progressives can be too quick to cede tradition.

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The brilliantly named Dickless (Credit: Wikimedia Commons)

Women In Metal: 9 Tracks From The Genderless Utopia Of Death

Metal aggression isn't sexual, but existential. As a result, women in the genre are both rare and unexpectedly equal.

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My Dog's Anus Is Tormenting Me And Maybe Ruining My Marriage

I am on my knees in 15-degree weather scrubbing poop from the sidewalk, and I have an epiphany of sorts—I do not want this dog.

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Ex Machina Promotional

The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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