Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

How Wonder Woman's Male Creator Helped Shape Third-Wave Feminism 

To understand this debate, it's important to consider historical context.

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"Girl In A Country Song" Continues Long Tradition Of Twangy Feminist Critique 

Maddie & Tae's new hit both indicates and subverts country's long history of sexism.

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Dawn Richard (Credit: Wikimedia Commons)

The Rise Of The "Alternative Black Woman R&B Left-Field Genius"

The acclaimed solo album of former Danity Kane member Dawn Richard raises questions about the very nature of "cred." Is pop antitethical to artistry?

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Émilie Du Châtelet (Credit: Wikimedia Commons)

Where Are All The Female Philosophers?

Is the gender of the philosopher a marginal curiosity—or is it more central?

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Credit: Wikimedia Commons

On Sexual Power, Mike Huckabee, Beyoncé—And Wonder Woman

Rather than seeing Beyoncé's sexual performance as linked to destruction, we can consider whether eroticism might be an alternative to violence.

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Even In Tragic Death, Charlie Hebdo Victims Benefit From Privilege 

Who is memorialized in death has everything to do with race, class . . . and who you were in life.

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This Is What Happens When Your Family Decides To Get A Dog

If my wife and son had thought bubbles above their heads, like in the comics, you would be able to read them saying, "dog dog dog dog dog dog dog."

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GQ Covers Reveal How Women And Men Are Sexually Objectified—But In Very Different Ways

A new Facebook post calls into question cover depictions of hyper-sexualized men and women.

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Pretty Woman At 25: Still A Crass, Degrading Power Fantasy

The rom-com's worshipping of power and wealth comes with a gender twist.

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Is All Art Political?

Art without politics actually results in a sweeping Puritanism. For art to have power, it needs to engage with power, with politics.

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