Catherine Gigante-Brown

As a breast cancer survivor, the worst day of the year is when I go for my mammogram. True, nobody actually likes mammos, but I’ve been bitten by one. On the way to my annual squishing, I realized that I have a bunch of coping strategies.

The overinflated American work ethic is slowly killing us. It’s constantly pushing us to do more — put in longer hours, check business emails on personal time, take calls from our bosses when we’re chilling in Cancun.

I fumbled with my lace bra, hoping my silicone form wouldn't fall out from the left cup. I wasn't exactly ready . . . yet I was.

That’s the thing about being a breast cancer survivor — it’s always there: it never goes away. The scars, the fear that lurks in the back of your mind like a boogeyman. You’re going along nicely, living your merry life, and you’re fine, until you’re not.

Why, when I'm cool with being a salt-and-pepper chick, does it so clearly unnerve others?

Upset you lost your keys? Try losing your breast. Pissed off about missing that train? Try missing your son’s 8th grade graduation because of a horrific infection from fluid buildup in the previously-mentioned missing breast. See what I mean? It kind of puts life into perspective.

Although America’s “lying in period” fell by the wayside in the 19th century with the disappearance of the frontier, it’s alive and well today in many cultures globally. Seclusion traditions where both mother and child recover and bond are still the norm in many cultures worldwide.

I saw my present mother-in-law in a whole new light the first time she held my newborn son.

A midtown Manhattan studio was recently the site of liberation-both on and offscreen-when Shenshean

Makeup and I have always had a love/hate relationship: I love it; it hates me.