Denarii Monroe

Does becoming an adult mean you have to give up "childish" things like paralyzing crushes on celebrities? Denarii Monroe thinks not.

I did not leave that theater the same way I arrived. It was then, as I walked back to my building and looked up at the night sky, that I knew. I thought to myself, “I want to make movies.”

I’ve never had any serious issues with past roommates, whether they’ve been friends, family, or someone I found on Craigslist or something. I consider myself really lucky in that way; I know there are horror stories out there. But, having lived with my mom for almost a year now, I’ve realized just how much of a burden it can really be.

You can create boundaries for many things. For example, your communication needs (what works for you, what others need to know, what you can’t tolerate, etc.), your limits in the bedroom, or even when your employer or employee is allowed to call or text you. They can be established for romantic, familial, platonic, and professional relationships.

It had never occurred to me to visit [a Planned Parenthood].... And yet, in a culture where the rights and healthcare needs of people assigned female at birth are constantly under attack, it’s easy, even for someone like me, to have warped ideas about exactly what one will experience.

My therapist of six months — let’s call her L — was letting me go. It was so subtle that I wasn’t even sure what was happening; I had to ask.

Activism can seem intimidating, all the more so for those with accessibility issues of various kinds. There are myriad numbers of disabilities which can affect how we can (or can’t) engage in activism.

I had to learn me because I was never given a chance to. People often act like this is easy or shouldn't be hard to grasp, but when you've literally spent your entire life not even knowing what your real hair feels like, it takes time to get used to that, especially when you have no one and nowhere to go to for solid advice.

It’s like being a deer in the headlights. You’re in imminent danger. You know it. But you can’t move. You can’t speak. No reaction whatsoever. You just stand or sit there, frozen in time, waiting for the crash.

[W]hy must the acknowledgment of my beauty be predicated on how well and how often I contort to attempt to fit into some kind of ideal? Why can’t I be all the iterations of me and still be beautiful?