Lisa Marie Basile
Bio
Lisa Marie Basile is the founding creative director of Luna Luna Magazine--a popular magazine focused on literature, magical living, and identity. She is the author of "Light Magic for Dark Times," a modern collection of inspired rituals and daily practices, as well as "The Magical Writing Grimoire: Use the Word as Your Wand for Magic, Manifestation & Ritual." She can be found writing about trauma recovery, writing as a healing tool, chronic illness, everyday magic, and poetry. She's written for The New York Times, Refinery 29, Self, Chakrubs, Marie Claire, Narratively, Catapult, Sabat Magazine, Healthline, Bust, Hello Giggles, Grimoire Magazine, and more. Lisa Marie has taught writing and ritual workshops at HausWitch in Salem, MA, Manhattanville College, and Pace University. She earned a Masters's degree in Writing from The New School and studied literature and psychology as an undergraduate at Pace University.
Lisa Marie Basile Articles
It’s Monday, 6 a.m. and Sarah, 30, wakes up — as she does five days a week (but really, it’s seven, because the body is a fickle thing).
Read...When the spread was published, all the girls in the shot were small — small enough to notice their not-bigness. It was the first time I felt “othered,” the first time I noticed how some versions of thin weren’t thin enough.
Read...When you hear about a person with a chronic illness working or not working or considering quitting a job, these decisions were not made lightly.
Read...My happiness is what undid me, ironically. I worried so much about being OK with the happiness that I fell apart.
Read...Is there a certain quality to letter writing or diary keeping that inspires the confessional? I believe so.
Read...It can really take a toll on you when you have to parent a parent.
Read...Remember that your body is you, it is not separate. Treat it, yourself, with love. You’re a body of magic.
Read...The fact of the matter is that content mills are dangerous and personal essays are a different beast. And there’s a vast level of discrepancy between a phone-it-in XYZ — and a Here’s What It Feels Like piece and other essays, where the language sings and the story is backed up by reportage. I’m aware of this. But there is also a middle ground.
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