Jody Amable

The further I get into this series, the harder time I am having remembering what the eff has happened so far. You see, I am an Old Lady.

Harnessing the courage within myself—courage I didn’t even know I had—to coolly, calmly call this guy out has made me a better human being.

So far, Deathly Hallows is, to me, about the divide between the living, the dead, and the living who have seen death. Harry and I are part of an exclusive club: Those under 30 who have experienced death. And when I say “experienced,” I don’t mean “witnessed.” I mean really, really felt it, all the way through.

If I let everyone off the hook for extenuating circumstances like, “He’s over 50, so he probably just doesn’t know any better,” no one’s ever going to stop calling me “sweetie.”

Jon Stewart, step aside. Your heir apparent has arrived.

Creator of grungy, gritty rock and roll with a poet’s heart, her critically-lauded record, Beyond the Bloodhounds, tells tales of a tumultuous childhood and split geographical identity.

I couldn’t help but assume the reason these people were telling me not to say even a word to this troll was because women aren’t supposed to fight back. We’re supposed to rise above — to “not stoop to their level,” as my mom used to say.

No matter how drunk he is, he can’t NOT notice this. His hand is moving. What do I do? What do I do? Do I politely ask him to stop? Do I yell at him? Do I wheel around and whack him in the face? You don’t know what he’s doing, Jody. Calm down. Don’t make a scene.

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The neighbors turned their lights off. My dog fell sound asleep. I kept reading. And at 1:03 am, I finished. All was well.